Review: Do You Dream of Terra-Two? – In Space, Everyone Can Hear You Dream


Title: Do You Dream of Terra-Two?
Author: Temi Oh
Publisher: Simon & Schuster Ltd
Release Date: March 7th, 2019
Genre(s): Literature, Sci-Fi
Subjects and Themes: Space expedition
Page Count: 528 (hardback)

Rating: 8.5/10

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A century ago, scientists theorised that a habitable planet existed in a nearby solar system. Today, ten astronauts will leave a dying Earth to find it. Four are decorated veterans of the 20th century’s space-race. And six are teenagers, graduates of the exclusive Dalton Academy, who’ve been in training for this mission for most of their lives.

It will take the team twenty-three years to reach Terra-Two. Twenty-three years spent in close quarters. Twenty-three years with no one to rely on but each other. Twenty-three years with no rescue possible, should something go wrong. And something always goes wrong.


So this is an odd, odd book to classify. It’s not a sweeping space adventure in the vein of Interstellar. Nor is it quite the thriller that Gravity is (though there are resemblances in the last 1/4 of the book). And if you ask me what happens in the course of 528 pages, I’d be inclined to answer, “Nothing much.”

But it’s kind of like spending an entire evening plus the early morning hours outside, staring up at the constellations and telling their stories in your head. And next day, when someone asks what you did the other night and you answer, “I did some star-gazing.” And they say, “Sooo, nothing much?”

And you say, “No. Everything. I did everything.”

That might only make sense to me, so a more straight-forward version: in terms of main plot, not much happens, but beneath that there’s a lifetime of stories that are playing out.

Temi Oh’s writing is absolutely beautiful. It’s the kind of prose that’s meant for traversing outer space and cataloguing stars, and it’s got depth to it that goes beyond sounding pretty–a feeling of awe that I think is so key for space-faring stories; a commanding sense of the moment so that even small, seemingly inconsequential scenes feel important in the grand scheme of things; and a melancholy and intimacy that makes it seem like you’ve been with these characters for years when it’s only been a handful of pages.

It’s the kind of prose that teeters between sad and hopeful, and just when you think it’s falling into sadness, hope yanks it back up again.

As for our characters, their stories range from relatable to heartbreaking:

Poppy, the gorgeous linguistics genius who so badly wants to escape the bleakness of her home. The linguistics genius who got into languages in the first place because it was a way to bridge gaps between herself and others–to travel distances with only a few words–and a way to be less lonely in this world (this is a detail I really, really loved).

Astrid and Juno, the Kenyan twins. The former an astrobiologist who signed up for the program because the thought of being the first to chart an unknown world was irresistible. The latter a chemist, more serious and pragmatic.

Ara, an Indian girl who delights in the delights of the world and delights the world in turn.

Eliot, the robotics genius. The only one of the group who was scouted by the Terra-Two project leaders.

Jesse, the dreamy boy who weaves broken shells into his hair. The boy who’s been told that he would leave this world on his twentieth birthday and is hoping that “leaving the world” literally means leaving the world. On a spaceship, to be exact.

Harry, the pilot and commander-in-training. There’s zero doubt in his mind that he was born for this role, and for someone whose life has revolved around being good and winning, this might be the biggest prize of them all.

For a story that’s about heading into the future and opening a new chapter for humanity, it’s a story that’s also about carrying the past. About sifting through the various events in these characters’ lives that led them to stand where they are, as who they are, and the hopes and fears that they carry with them. It reminded me a lot of LOST, in that sense.

As wonderful and interesting as the characters are, I did have one big problem with them. When they’re in their own heads, being all introspective, they brim with complexity and their personalities shine like starlight. When they’re outside of their heads, interacting with each other, they get somewhat less interesting and complex. Dialogues don’t quite fit together, some of the interactions are strangely jagged, and I had trouble differentiating one person’s voice from another.

The good news is that they spend most of the time in their heads. And when they do, it’s mesmerizing, absorbing stuff.

And for someone who’s never experienced a pioneering space mission (presumably), Oh’s depictions of dread and excitement and just the whole range of emotions associated with the process feels remarkably real. She draws out the initial pre-launch tensions beautifully for the first 1/4 of the book, and does the same with the last 1/4. Every part of the experience is detailed and organic.

All in all, Terra-Two is a magnificent debut. If you like happy endings and fast-paced space operas and storylines that are neatly wrapped up and handed on a silver platter, it might not be the book for you. But If you want a quiet and provocative character-driven story that muses on destiny and the nature of humans, I wholeheartedly recommend it.


Review copy provided by the publisher via Netgalley. All opinions are my own.

Top 5 Wednesday: Intimidating Books on My TBR

“Top 5 Wednesday” is a weekly meme currently hosted on Goodreads by Sam of Thoughts on Tomes, where you list your top 5 for the week’s chosen topic. May is rewind month, and my chosen topic for this week is: intimidating books on my TBR.

1. They Both Die at the End by Adam Silvera

They Both Die At the End

Adam Silvera writes some of the worst best books in YA. By which I mean he writes compelling stories of complex characters dealing with heavy issues…that are ultimately terrible for my own mental health. History is All You Left Me wreaked havoc on my emotions and More Happy Than Not dropped me into a depressive episode. There’s something about his writing style–how simple and almost cutesy it is–that continuously fools my brain into thinking these stories are happy ones. But then they delve into subjects like depression, suicide, and grief, and it’s like being mentally hit by a truck.

So while I have heard many great things about They Both Die at the End, and while I do plan on reading it at some point, I’m not exactly jumping out of my chair to get to it.

2. Discworld by Terry Pratchett


I have actually read some of Pratchett’s Discworld books, in the form of Tiffany Aching (which I’d loved). Then, years later, I found out that the Aching books were part of a 41-book series, at which point my brain kind of seized up on itself. I mean, I adore Pratchett’s prose, his characters, and his sense of humour, so there’s no good reason for avoiding them, but the sheer number just gets to me. Regardless, I’ve still made it my goal for the next year or so to read through the rest of the series, so we’ll see how that goes.

3. The Red Queen (The Chronicle of Alice 2) by Christina Henry

Red Queen

Alice, the first book in Henry’s The Chronicle of Alice series, can only be described as Alice in Wonderland meets Eastern Promises (a movie which got me seeing Aragorn in a very different light). Basically, it’s human trafficking, sexual violence, and mobsters mixed with the LSD-craziness of Carroll’s classic tale. It’s disturbingly, darkly fascinating, and it was a reading experience I both hated and loved. So I’ve been eyeing the sequel with equal dread and curiosity.

4. The Blade Itself by Joe Abercrombie

The Blade Itself

I love grimdark fantasy. It irks me when people dismiss it as stories about senseless slaughter, loathsome people, and just general hopelessness. Because, to me, it’s the opposite. The purpose of grimdark is about finding a kernel of hope in a sea of darkness. It’s about people who are trying to do their best in a ruthless, unforgiving world.

So what’s stopping me from picking up Abercrombie’s books? The hype. The First Law series is hailed as being the foundation of grimdark, written by a man whose moniker is “Lord Grimdark.” So I’m a little worried I’ll read it and be like, “This is what they’ve been raving about??”

5. Ulysses by James Joyce


Ah, Ulysses. Worshiped by English profs and teachers everywhere. This one’s in my TBR for part bragging rights and part genuine curiosity. I’ve known people who thought Joyce was a complete hack and this book utter trash, and others who consider it the greatest piece of literature published in the last 100 years. And while I generally like seeing stream-of-consciousness techniques in books, I don’t know if I can stomach 600 pages of it.


Have you read any of these books? See any that you think I should read immediately?