The Weather in Books Tag

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I saw Lisa from Way Too Fantasy do this tag and it looked like a fun one! I have no idea who its creator is, so if anyone knows, drop me a note!

And speaking of weather, we’ve finally gone from Fire, Smoke, and Lung Cancer to rain–sweet, glorious rain–so that’s something! My sincerest condolences to those who lost their homes in a fire this summer. And an equally sincere F-U to a certain leader of a country who claims that Canadian lumber has been the cause of U.S. fires. Because global warming isn’t a thing, apparently, and neither is thinking. So–

*Furious cutting gestures from my imaginary assistant who’s hoisting up a sign that says ‘NO POLITICAL RANTS’*

…So yeah, tags! Fun, stress-free, non-political tags. That are about books.

Let’s get to it! 😀

 

☀️ Sunshine:  A Book That Made You Smile

The Adventure ZoneI don’t know what it says about me that this one took me the longest to come up with (a lie–I’m pretty sure I know what what says about me). The McElroys never fail to make me smile and laugh and there is a lot to smile and laugh about in their graphic novel adaptation of The Adventure Zone podcast. Even though I already know the story, I had a blast reading through it. The art is super charming and adorable and captures the humour of the “story” perfectly. I’ll definitely do a review on it sometime in the near future…Hopefully. *Glumly eyes my pile of unfinished reviews*

 

🌧️ Rain:  A Book You Couldn’t Put Down

Lies of Locke

I’m finding it harder to pull all-nighters with books as I get older, but Scott Lynch’s The Gentleman Bastards series is one I have no trouble doing it with. The combination of fun, eclectic characters, brilliant worldbuilding, and the best banter makes The Lies of Locke Lamora as addicting as any drug.

 

🌬️ Wind:  A Book That Blew You Away

Baru

There are a lot of books that fit the bill, but I’ll choose this one since its sequel isn’t too far away.

I dislike economics with a passion. I hated learning about it (in the one elective class I took in undergrad) and I hate reading about it fiction. The Traitor Baru Cormorant not only made me like the economics aspect of the story, it made me invested (excuse the pun) in it, it made me chomping at the bits to know more. That’s sorcery. Pure and simple. And I would just like to know what blood sacrifices Seth Dickinson is making to which god, because I could really use some of that magic myself.

 

☁️ Hurricane:  A Tragic Book

At swim, two boys

There are books that make me cry, and then there are books that make me sob until I’m hobbling around in a state of complete exhaustion. Guess which category this belongs to?

Reading At Swim, Two Boys was like being pummeled by a rock slide and then flattened with a sledgehammer for good measure. And the funny thing is, most of the story isn’t tragic. Set in Ireland against a WW1 backdrop, it’s a tale of hope, friendship, and love, complete with beautiful characterization, heartaching prose, and quite a bit of humour. There’s nothing to suggest–Well, okay, maybe the “WW1” bit.

Anyhow, the book is a must read for all lovers of historical fiction and/or LGBTQIAP+ fiction. Just arm yourself with alcohol/chocolate/comfort food and a bucket beforehand.

 

❄️ Blizzard:  A Book You Had High Expectations For

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I could write a dissertation on the sheer brilliance of the first three books in this series and then write an equally long paper on how disappointed I was with this fourth and final book. The Monstrumologist series is a 19th century gothic horror story that follows the lives of an orphaned boy named Will Henry and his ward, Dr. Pellinore Warthrop, a man dedicated to the science of monsters. It’s gruesome, the writing is drop-dead gorgeous, and the characters are drawn with exquisite complexity.

So I expected much of the same for Book 4. Instead, I got the last season of a TV show that knows it’s getting cancelled so it tries to wrap everything up while also adding in new stuff because hell, we’re getting canned anyway, might as well be experimental.

The series is still one of my favourites of all time and I’ve listened to the audiobooks more times than I can count. I just, uh, pretend this last one doesn’t exist.

 

🌪️ Tornado:  A Book You Didn’t Like At First But Ended Up Loving

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I had a bit of a hard time with this one because I can usually decide in the first 1/4 of a book whether or not I’m going to love the rest. Then I gave myself a smack and went, “Oh, duh!” Right. So this book. I bought it when I was 15 with what measly allowance money I had and got my first taste of buyer’s remorse within the first couple of chapters–“Is this even a contemporary?”; “Wha–are these kids fighting in a war?”; “What the HELL is going on???” I side-eyed the Printz award committee. Hard. I wondered if refunding it after already having read a part of it was an ethical thing to do. I didn’t think it was, so I gritted my teeth and read on. Best. Decision. Ever.

There are so many elements that make On the Jellicoe Road such a masterpiece, but at the core of it is the friendship. The book has, by far, one of the most beautiful depictions of friendship I’ve encountered in any genre. The kind that seeps into your heart and takes permanent root.

And it’s a book I even recommend to fantasy-only readers because Melina Marchetta has a gift for taking something as ordinary as a small rural town and turning it into an otherworldly place.

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I TAG:

Dorine
Jennifer
Norrie
Paige

And anyone else who wants to do it! ❤

Diversity Spotlight Thursday: Historical Fiction | 3 Days, 3 Quotes [Day 1]

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Diversity Spotlight Thursday is a weekly meme that’s hosted by Aimal from Bookshelves & Paperbacks and the idea is that each week you come up with three book for three different categories: a diverse book you’ve read and enjoyed; a diverse book that’s already been released and is in your TBR; and a diverse book that hasn’t been released yet.

This week’s topic is: Historical Fiction

I’ve been stupidly busy for the last week and a half with work, volunteer, and various personal stuff, so to save time, I’ve decided to smoosh two sort-of-related posts into one. I’m also rather behind on comments so I’ll be slowly be catching up on all your recent posts!

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At Swim, Two Boys by Jamie O’Neil

At Swim, Two Boys is one of those books that makes you think, “No human could have written this,” and at the same time, “Only a human could have written this.” O’Neil manipulates the English language with the finesse of a god and the pathos of a mortal to produce what is probably the most beautifully-crafted piece of fiction I have ever read. And it’s so wonderfully accessible, because although the story is historical–one that slides a lens over the 1916 Easter Rising in Ireland–at its core it’s a tale of the endurance of love, friendship, and youth amidst violence and hatred. And anyone, regardless of sexuality, nationality, age, or gender can relate to that.

Goodreads | Amazon (US) | Book Depository

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Fingersmith by Sarah Waters

Sarah Waters is the Queen of lesbian historical fiction, and Fingersmith has been on my TBR for a while now. I did, however, end up watching the Korean movie adaptation, The Handmaiden (아가씨) last year, and it utterly blew me away. Sexuality and open expression of sexuality–of any kind–is still very much a taboo subject in South Korea, so it’s eyebrow-raising (in the best way) to see them produce something so beautifully erotic. If the original story is anything close to this film, then I’m in for a wild ride.

Goodreads | Amazon (US) | Book Depository

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The Lady’s Guide to Petticoats and Piracy by Mackenzi Lee

This one might be cheating because the first book in the series was a historical fiction with a dash of fantasy and I have a feeling the sequel will follow that trend, but it looks too good to pass up. Felicity was my favourite character from Gentleman’s Guide to Vice and Virtue and I was beyond stoked to hear that she would be getting her own book. The story feature ace rep and a possible (?) F/F pairing, which is exciting.

Goodreads | Amazon (US) | Book Depository

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And for the second part of this post, I’ll be doing the 3 Days, 3 Quotes tag! I was tagged by Alyssa from Serendipitous Reads ages ago, so thank you, Alyssa! She writes the some of the most thoughtful reviews so go check her out and shower her with love.

The Rules

1. Thank the person who nominated you
2. Post a quote for 3 consecutive days (1 quote for each day)–I’m totally gonna be bending this rule
3. Nominate three new bloggers each day

Because it’s Pride month, I wanted to share my favourite quote from At Swim, Two Boys:

“Help these boys build a nation their own. Ransack the histories for clues to their past. Plunder the literatures for words they can speak. And should you encounter an ancient tribe whose customs, however dimly, cast light on their hearts; tell them that tale; and you shall name the unspeakable names of your kind, and in that naming, in each such telling, they will falter a step to the light.

For only with pride may a man prosper. With pride, all things follow. Without he have pride he is a shadowy skulk whose season is night.”

This passage drove me to tears the first time I read it. It just speaks so powerfully of the importance, the necessity, of seeing our queerness reflected out in the world–whether through literature or some other medium. Each LGBTQIAP+ story is a call that says, “Your existence is beautiful,” and that’s something we need to be hearing every day, every minute of our lives.

Today I tag:

1. Gerry from The BookNook UK
2. Lily from Sprinkles of Dreams
3. Vera from Unfiltered Tales

 

“Champions of the Genre” – Explanation and Examples

As I write more and more reviews on this blog, you’ll see a small notation/badge (that I’ve yet to design) sometimes appear beside the review score: “Champions of the Genre.” You’ll also notice an identically-named shelf on my Goodreads page. It’s a designation plagiarized from inspired by video game critic Jim Sterling from the Jimquisition. And it means what it sounds like it means: the best of the best.

Many books feature beautiful prose, complex characters, dazzling worldbuilding, and deep exploration of human issues. But only a few among them shatter barriers with the violence to make the sky tremble and take notice. The barrier around the pre-conceived limit of a genre. The barriers of pre-packaged societal constructs. The barrier to the core of your heart.

These are books that I (read: subjective. Don’t send me angry messages) believe represent the best of what a genre can do.

They are the pathfinders. Ones that elevate the field to heights previously unimagined.

They are the defiant. Ones that look at all the injustice in the world and respond with simmering anger and purpose.

They are the clingers. Ones that tear through to the center of your being, latches on and stares into you, daring you to pull it away.

They are books you would buy multiple copies of without a single look of remorse for your weeping wallet. One to read to tatters. Two to read sparingly. Another to just lounge on your shelf looking pretty and pristine. And let’s not forget all the different editions. Before you know it, your shelf has become a shrine.

And today I present to you ten nine and a half examples of such stories.

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The first time I read this, I nearly stopped after the first three chapters. Everything was vague and strange and confusing. But I’d bought it with what measly pocket money I had as a 15-year old, so, swallowing buyer’s remorse, I forced myself to continue. One of the best book-related decisions I would ever make, it turns out.

Imagine for a moment that you’re walking through the woods. Not quite lost, but just drifting…exploring. You let the world fall away from you until all you see and hear is the pulse of the moment. The moment where the past, the present, and future tangle all about you in a flurry of warmth
and then
just

stops.
And time settles around you in quiet repose. And in that moment you feel such a oneness with the world it’s enough to make you weep and laugh aloud at once.

Melina Marchetta takes that feeling and weaves it into an entire novel.

I disagree with Printz award selections more often than not. But On the Jellicoe Road deserves every accolade and more.

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Warchild takes your classic space opera plot–a war between the aliens and the humans, with pirates muddling things up in between–and swivels the focus onto the foremost victims of any war–the children. It can be read as a story about a young boy who gets trained to be a soldier and a spy. And it can be read as a story about child soldiers and the traumas of war and how they linger with deadly tenacity in someone so young. Karin Lowachee juggles many difficult subject matters and pulls them off with astounding realism. Her characters are compelling and multi-faceted, all of them being so much more than what they first seem. I absolutely adore it when a book makes me do a complete 180 on my feelings towards a character, and Warchild had two such moments.

Brutal. Heartbreaking. And necessary.

~.~.~

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At Swim, Two Boys is one of those books that makes you think, No human could have written this. And, Only a human could have written this. It’s probably the most beautifully-crafted piece of work I have ever read. O’Neil manipulates the English language with the finesse of a god and the pathos of a mortal. He has been (rightly) compared to James Joyce, but I find his work much more accessible than the latter (though no less groundbreaking). Because although story is a historical one–one that slides a lens over the 1916 Easter Rising in Ireland–at it’s core, it’s a story of the endurance of love, friendship, and youth amidst violence and hatred. And anyone, regardless of sexuality, nationality, age, or gender, can relate to that.

~.~.~

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In the latest 10th anniversary edition of The Name of the Wind, there’s a blurb by Lin-Manuel Miranda saying, “No one writes like Pat Rothfuss.” And I’m inclined to agree. The Kingkiller Chronicles isn’t perfect by any means. I have issues with Kvothe and some of the side characters, as well as the pacing. But, my god, the writing. NotW opened my eyes to the fact that beautiful, just-the-right-side-of-purple, prose has a place in epic fantasy. And not just any epic fantasy–one about a magic school. It was completely mind-blowing to me at the time, and Pat’s work has since become a big inspiration to myself and countless writers.

~.~.~

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Boy’s Life stands as the prime example of what a coming-of-age novel should be. It reaches into the heart of childhood and draws out the magic that lies entwined with the reality of growing up. The author understands so, so well that being a child is not all carefree happiness and sunshine. That there are pains and fears and uncertainties mixed in with the joy and wonder. McCammon transcribes all of that through gorgeous prose and a vivid setting that you swear you can just reach out and touch.

~.~.~

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The Traitor Baru Cormorant is many things. Less a fantasy and more of a political thriller set in a secondary world, it’s one of the few economic-centric stories that didn’t make me want to stick a poker through my eye–that made me actually invested (ha!) in the nitty-gritty details of how the flow of money controls an entire country. Its main character, Baru, is one of the most complicated protagonists I’ve had the pleasure of meeting–ruthless, clever, and often unlikable, but so determined to set the world right. It’s also one of only two book I’ve read (the second being The Gentleman’s Guide to Vice and Virtue) that gives you a map with notations made by the main character. (I’m baffled as to why it’s not done more often. A notated map can show something–however small– about a character in a way that you can’t do in the actual story.)

But what really makes it an entry on this list is how masterfully the author uses the readers’ expectations against them. You think you know what’s happening and you cling hard to that belief. And then the book blindsides you. I was left physically shaking and rummaging through the pieces of my heart by the end.

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This book shifted the foundation of my world. It was the first time I saw words being used to create something so wholly different and yet so honest. A WW2 book like no other, it touts a weary Death as a narrator who tells the story of a young orphan girl growing up in Nazi Germany. Using a kaleidoscope of beautiful imagery, the writing juxtaposes the brutality of the time period with the beauty of kindness and underscores the power inherent in language, both written and spoken. I read it, cried a year’s worth of tears, and read it again…and again. And reread it at least twice a year for five more years. The Book Thief became the foremost inspiration for my own writing style, and a copy of the rambling letter I’d sent to Marcus Zusak, and the reply I got, is still stuck up on my wall.

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The-Fifth-Season-banner2You can always count on N.K. Jemisin to bring something new and/or important to fantasy, whether it’s an Ancient Egyptian inspired setting, a cast that comprises mostly of PoC characters, or bi(pan?)sexual Gods. Though The Broken Earth trilogy is not my favourite of her books (that goes to the Dreamblood duology), I think it’s her most important. It belongs in the “defiant” category– a story of oppression and conquerors and motherhood. And anger. So much righteous anger. The Fifth Season not only introduces a brilliantly clever narrative structure, a unique world, and complex characters, it features diversity of all kinds–sexuality, race, gender. The series is everything that modern fantasy can–and should–be, and it deserves all the awards (Hugo 2018, here we come!)

~.~.~

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And the best for last. Technically, all of Robin Hobb’s Realm of the Elderlings books are Champions of the Genre, but I figure you don’t want to scroll through 16 additional entries, all featuring the same comment: “I will conduct blood sacrifices in Robin Hobb’s name.”

I can say with utter confidence that nothing will top this series for me (I’ve gone into details of what these books mean to me in this post). And my advice to newcomers? Don’t trust the blurbs. They make it sound like any other fantasy story where a young boy trains to become a master assassin. But it’s not.

Why? Because of the characters.

No one, in any genre of literature, writes characters like Robin Hobb does. Her characters feel like people you can pluck out into our world and have conversations with. Their relationships mirror the complexity of our own, spanning years and decades, filled with awkward bumps and painful distances. You will cry and yell and rejoice and despair alongside them. I’d heard someone say that you don’t read a Robin Hobb book, you live it. And that’s exactly it. It’s a long, winding journey through all the strangeness of life (plus magic and dragons and wolf brothers). And you sit there at the end of it a different, better, person.

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And because I was short on time, a quick half-mention to The Isle of Blood (The Monstrumologist #3) by Rick Yancey. It’s horror. It’s beautifully philosophical. And it incorporates Nietzsche quotations without reading like a quirky contemporary indie feat. white teens. Read it.

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And there you have it! I’ll probably compile a full list on a separate page and add to it as I go along.

Feel free to tell me some of your Champions of the Genre and throw some recommendations!